![]() The first four chapters conform a background, and the last two consider the main subject of study. The wealth of information has provided the rudiments to analyse and to compare findings in relation to music itself. Next to this, there is a corpus of scholarly studies by musicologists, theorists, analysts, historians, sociologists, semioticians, ethnographers, among others. The methodology to approach to the complexity of such a period the main sources are musical scores, composer’s writings, and journals of that time. ![]() This dissertation is about music in Mexico in the 1930s in relation with three main issues: the cultural context around music, the development of modernism, and the creation of an identity.
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